Dambulla Cave No. 5 (Devana Alut Vihara): 1915 brick reclining Buddha and folk tempera?
What early 20th-century construction techniques and regional folk mural styles separate Cave 5 from the classical ancient rock shrines of Dambulla?
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3 Answers from travellers
Cave No. 5 at Dambulla, known as Devana Alut Vihara (Second New Temple), is the newest shrine in the complex, converted into a temple in 1915 by local Buddhist devotees. Historically used as a storehouse, the shrine features a 10-meter reclining Buddha constructed not by carving living bedrock, but by building up a core of kiln-fired clay bricks coated with thick slaked-lime plaster. The ceiling murals display late colonial-era folk art styling, featuring vibrant synthetic blue and green imported pigments alongside traditional mineral reds, depicting local village patrons in European collars worshipping alongside classical deities.
The cave encloses 11 statues, including standing Buddha figures and images of local Hindu guardian gods Vishnu, Kataragama, and Bandara.
The shrine sits at the eastern end of the terrace walkway; visitors must observe silence and remove hats before stepping into the tiled threshold.
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